![]() ![]() Strips of lead hold the glass in place in a stained glass window, so we’ll create those next. The easiest way to do this is to open the Hue/Saturation dialog, check the Colorize button, and increase the Lightness as you play with the Hue and Saturation settings. This makes it much easier to select the individual elements. I used the Background Eraser Tool to take all the white out of the graphic background of this image. He’s still recognizable, but looks more hand-painted. The easiest way to make this image of Daniel Craig look more painterly is to use the Poster Edges filter, found in the Filter Gallery. Stained glass windows are painted, not photographic. I also removed the text over the body, and added a blue tint that will make more convincing stained glass. I used the Select Subject tool to isolate Craig, and copied him to a new layer. There’s a clear distinction here between the photograph of Daniel Craig and the graphic background. ![]() This is how the Photoshop filter creates stained glass: it divides the image up into random, irregular polygons, and averages the color within each one to create a posterized effect. Here, I’ve used a poster for the new James Bond film, No Time to Die. You can use just about any image as the basis for your stained glass – even mixing photographs with graphics. It’s very much a one-trick pony, though, producing a thoroughly unconvincing mosaic effect that’s nothing like real stained glass. Photoshop has a built-in Stained Glass filter, located in the Texture section of the Filter Gallery. ![]()
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